For the sin of falling in love with a human, Gumiho gives birth to a daughter and enters the world of humans in order to protect her young, tender child. However, Yun Dusu, the man who chose her, is the father of a dying daughter. In order to obtain a liver to save his beloved, illness-stricken daughter, he is forced to do the unthinkable: to kill Yeoni, the daughter of Gumiho. Unaware of this fact, Gumiho opens her heart to Dusu, who protects her as if she is family, and once again falls in love with a human, ultimately suffering for it. And the one man who falls in love with Gumiho, a nonhuman with more humanity than any human, realizes he truly loves her and attempts to make their love work.

A comprehensive look at the history of the Hellboy character from his comic book roots through to his movie debut.

In his further adventures Frank finds success and unhappiness.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

The Sheffield family reveal and go through some home truths as their middle child inherits the Foxworth mansion. The family's ghosts looming over, and more tragedies are in store as the curse lives on.

Coca leaves making their way from Peru to Downtown Los Angeles.

Jennifer Kingsley, a newspaper journalist, believes a man has been falsely convicted of murder, and becomes set on proving his innocence.

Thrown into prison by the president in the world’s youngest and “most broken” nation, a child soldier Peter Biar Ajak turned Harvard graduate turned activist is torn between his young country’s democracy and his young family’s welfare. In summer 2023, it is announced that South Sudan will finally hold its first election in December 2024. Despite not yet having his status in the US, which is his only assurance of reentry and reunion with his family, Peter decides to return to his homeland. As when we started filming him 6 years ago, Peter is getting off a plane, leaving the safety of the West and landing in East Africa. This time, it is to run for President.

Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality

Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality